Book Review

The Beautiful Losses

The Beautiful Losses is a true testament to the passage of time and how much can be gleaned if one only pays attention to the now. Ever-present, Pollack executes an exactness with his poetry, somehow granting levity and gravity simultaneously. Through his words, one travels and begins comprehending how Pollack has lived and experienced life, processing the sanctity of procedures in snippets. Be it secular frivolity, an unrehearsed camp, or a near-grave seriousness, he never fails to deliver with intent. “There must be, across the universe,/ any number of species/ that see themselves as tragic. . .,” though you fully understand Pollack, himself, does not. He has woven a taut collection for the average reader and practiced poet alike. The Beautiful Losses feels like a favorite pair of jeans, well-worn with a comfortable fit; the pair one wants to slip into time and time again. 

— Grace Black

Grace Black is the founding editor of Ink In Thirds Magazine and author of two full-length poetry collections.

Echo (pg 92)

I’ve already used the title I want:
“Guitar, French Horn.” Which looks
both pretentious and naked mid-stanza. 

The apparent lack of a sonata
for that combo makes me happy (I could write one)
and sad (I don’t know how). 

A small, close room. The distance.
Confidences. Regret.
Interpretation. The given. 

3 Questions

Frederick Pollack

INK: What most inspires you to write?

FP: When an event or object I’ve encountered – in my life, reading, or imagination – corresponds or contrasts with the vital myths and narratives that shape my unconscious. (Note: I don’t conceive these myths and narratives as Jungian “archetypes.”)

INK: What does your writing routine look like?

FP: After my morning cereal, I sit in my armchair drinking strong black coffee and wondering if I’ll ever have another idea. Then I have an idea and work on it until it’s done.

INK: Name a favorite poem you feel everyone should read.

FP: “One and Many” by the Englishman Roy Fuller. Written during World War II, it still expresses the basic feeling of the modern poet.

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Contact us HERE and fill out the form. At this time, we are only considering poetry collections, chapbooks, and flash fiction or short story collections. (150pgs or less) We appreciate your interest and look forward to reading your work!

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