Volume 6, Issue 2

vol 6, i.2

Fall Equinox, Fall/Winter 2025 - vol 6, i.2

If you’re new, welcome to the raw and real, to the strange and wonderful. We lean into honest feelings and don’t shy away from difficult topics. We believe good writing should be celebrated, not censored.

The 79 incredibly talented individuals whose voices and images fill this issue are a true testament to the strength, skill, and sheer genius that humans can accomplish with a canvas and creativity. I am beyond grateful for each contribution and to those who continue championing this literary adventure. The support of our beloved community is what enables us to keep coming back and starting again and again. 

Love and INK,

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"Nude" cover art by Kim Suttell (paper collage)

vol 6, i.2

fall/winter 2025

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Featured Contributors (vol 6, i.2)

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Featured Prose Writer vol 6, i.2

Nora Wagner

“I Ran Into Your New Girlfriend at the Grocery Store”

I know, from the items in her shopping cart, that she’ll prepare your favorite dinner tonight: Moroccan-spiced chicken with dates and shallots. I know she must cook for you a lot, because her cart is pretty empty, the fridge and pantry at home likely very full. I know she’s buying the wrong dates, Mazafatis instead of Medjools, and the whole meal will be off, no maple flavor, no amber color. I know the shallot bulbs are too small, papery skin coming off in purple, eczema-like patches. I know you’ll hog all the dark meat. Leave her with the pale, flossy strands.

I know you’ll need to watch porn to get hard later tonight. I know she’ll lie next to you, kissing your neck, pretending she’s a part of your relationship with the people on the screen. I know you’ll rush to the shower immediately after, because sex makes you feel dirty, and she might: a) lie still, trace the ceiling tapestry’s mandala pattern with her eyes, b) begin folding the clothes puddled around your room, c) touch herself, so that she actually finishes.

I know her name is Beverly, Bev for short. I know she graduated from the Oberlin Conservatory of Music. There are videos of her performances posted on YouTube, where she commandeers her cello bow like an elegant see-saw. I know she must not play that much anymore, because loud noises give you headaches. I know you think “music without lyrics is like a woman without boobs.” I know she was first chair. Do you know that’s a big deal?

I know there was some shady overlap between me and her, don’t pretend there wasn’t. I knew you weren’t fully finished with Gabrielle when you asked me out at a friend’s dinner party. I still said yes, flattered you’d break the rules for me, not knowing this was your rule: planting seeds before the earlier harvest has been fully picked.

I know she sees me putting items on the checkout conveyor belt, three shoppers behind in line. I know there’s a flash of recognition. I know she’s stalked my socials, like I have hers, like I did with your string of exes. All of us linked together, Brussels sprouts on a stalk. I know she is inspecting my haul: bread-and-butter pickles, a crusty sourdough loaf, two salmon fillets, a bottle of red. I know she is wondering: are these the purchases of someone in a new relationship? Someone who is over you?

Should I make eye contact?

I know she’d like to know all the things I know about you.

vol 6 i.2 featured writer - Nora Wagner

Artist’s Statement

Memory shows up in my writing often, usually in impure forms: tainted, warped, eroded. I’m interested in memory both as a deliberate action (what memories we cling onto) and as an unconscious, even unwanted, process (what memories cling onto us). The afterlife, or aftertaste, of a relationship is what I explore here, with the anaphora replicating obsessive re-thinking.

Bio

Nora Esme Wagner is a junior at Wellesley College. She lives in San Francisco, California. Her work has been published or is forthcoming in Smokelong, Wigleaf, JMWW, Milk Candy Review, Flash Frog, and elsewhere. Her stories have been selected for Wigleaf’s Top 50. She is an assistant fiction editor at Pithead Chapel and the Co-Editor-in-Chief for The Wellesley Review.

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Featured Poet vol 6, i.2

Jenny Chu

“Weekend Nights”

u up?
It was green, unfortunately. He had an Android.
But I ran with it. No really, I ran with the text
pressed hot to my skin as if it would protect
me from being ghosted. I ran straight
past the dying lights of the strip mall,
phone glow an obvious tenet of my palm.
My black heels jostled with the concrete,
speeding through the night to drop some bar.
Once I got there, I kissed him, all open-mouth
and fearful of public commitment. He tasted
like Tuesday night— that period the freezer
hummed loud enough to make my evening feel alive.
He was a gardener and a poet, telling me
I needed to compost more of my poem fragments.
I told him I needed to go home & repot my standards.

vol 6 i.2 featured poet - Jenny Chu

Artist’s Statement

I primarily write from a position of exploration, usually when I want to think through complex emotions/events in my day-to-day life. To me, poetry is a way to reckon with the strange mysteries of selfhood and the world around us. Regardless of whether or not the poem’s imaginary, it completes my headspace. 

Bio

Jenny Chu is a Chinese-American writer from Dallas, Texas, and the founder and editor-in-chief of Rosetta Lit. She really loves Swedish Fish.

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Featured Artist vol 6, i.2

Luanne Castle

“Distress”

mixed media collage

vol 6 i.2 featured art - Luanne Castle
vol 6 i.2 featured artist - Luanne Castle

Artist’s Statement

In my art, I am obsessed with gender concepts, history, and the effect of society and advertising on self-image and mental health. Words and literature are important to me; they influence, inspire, and torment within my collages. My favorite artistic expression is through mixed media collage with an emphasis on mid-20th century images.

Bio

Luanne Castle’s art appears in Thimble, Raw Lit, Wildscape, Watershed Review, Rogue Agent, and Best of Mad Swirl and has been nominated for Best of the Net. Her writing has been nominated for Pushcart, Best Small Fictions, Best Microfictions, and Best of the Net. Luanne lives with four cats in Arizona along a wash that wildlife use as a thoroughfare. 

Vol 6, i.2 Fall/Winter 2025 (A Sneak Peak)

Selections from the first 30 pages

Wyley Fröhlich Jungerman

prose
"Magical Thinking OCD"
I’m leaning up against the shower door while you’re sitting on the toilet, waiting for the pain in your urethra to subside. “UTIs aren’t worth it. I’m becoming a nun,” you mutter, pointedly glaring at my crotch. I scratch my jaw. It’s 8:03 in the morning. You’ve got a glass of cranberry juice waiting for you in the kitchen, all dolled up and sweaty. I’m sure it’s trying to be understanding, but it’s definitely getting impatient with you. You’re a little antsy yourself, so you shift your pelvis to test your luck, but the pain flares, and you grimace. You’re about to say something — likely a critique of the medical industrial complex — before a sudden flash of white in your peripherals diverts your attention. You peer down and find a piece of string stuck to your t-shirt, pin-straight and horribly misplaced. I stare at it with you, wondering for a moment why a black shirt is sewn up with white thread, before I realize it’s a cat whisker. You’ve come to a similar conclusion and pluck it like a hair, holding it between your fingertips as you wipe. There’s two squares of toilet paper and a slight pink tint in the water when you flush, and you set the whisker down deliberately on the dark bathmat between my feet, where it’s more visible than it would be on the white counters. I know I shouldn’t touch it, since its powers would transfer to me if I did, so I willfully stand guard instead. You turn on the faucet and wash your hands like a doctor sanitizing for surgery, and I imagine each swipe of your thumb against your palm washing away more bacteria and blood-borne pathogens. After drying your hands, your statistical probability of getting ill is significantly reduced. You retrieve your whisker from the soft mat, and Kitty meows at us as I wiggle out of the bathroom behind you. I reply with a professional “mornin’, ma’am” and a nod. You rehome the whisker in a small jar on your desk with all the others before your cranberry juice calls for you like a forgotten lover, and I traipse into the kitchen to entertain it. “It’s her lucky day,” I tell the glass teasingly as you pop open your pill bottle with one hand (you’ve practiced this show of dexterity many times). The cranberry juice doesn’t argue with my statement as it sits on the counter, flushed and dripping, and you take your antibiotics with a sour swig, bitter on bitter. Displeased with your drink of choice, the pill decides it isn’t going down without a fight, and you hack up a lung as I pat your back dispassionately. “Not lucky enough,” you gag, so I bend down to Kitty’s level and implore her for another whisker. She tells me there’s an additional $45 copay for each prescription drug refill. I ask if her office provides payment plans or financial assistance. She swats at my ankle and meows for her breakfast. “Worth a shot.” You keep coughing as I open a can of tuna. It is 8:05 in the morning. Kitty vomits on the shag rug. Bio

Edward Lee

poetry
"Last Meal"

Somewhere between the starter
and the main course
you died, flopped over
in your seat,
your head hitting
the table
hard enough
to echo through the room
that was never that big
but seems immense now.

Butterflies and moths
flew out your ears
and headed straight
for the light in my eyes,
blinded me as they
danced into death.

When the waiter
brought the bill,
I had to take his word
on the price,
then had to ask twice
for my credit card back,
your body in a doggy bag
that stained my trousers
as I walked out
into the night.

Mary McAfoose

poetry
"How to Wash Dishes, or: Hold Me"

Standing in that college apartment kitchen,
small and white and clean, my eyes were drawn
to how you washed dishes. Your hands
lingering yet efficient, turning the faucet off
in between each rinse, every plate and fork,
IKEA glass and bread knife. Later, your hands
around my waist. You said little and did
enough. I wasn’t your lover, but you held me
when I needed it, through the spiraling night
and into another morning. You knew how to handle
the easily broken, and when to let go. Soft palms
cupping an empty wine glass.

Rowan Tate

poetry
"Minor Repairs"

I forget the name for the thing
that seals the crack beneath the door.

The furnace clicks on like a memory
I didn’t ask to remember.

I keep meaning to change the filter, but the days
get sticky like pages stuck together in the rain.

The house has started rearranging itself—
walls inching closer, doors reshuffling.

Last night, the chimney whispered a name
to me I haven’t heard in years.

Leaves pile in gutters like unopened mail.
A drawer in the kitchen now grows moss.

This morning, the attic stairs hung out
like a tongue. I climbed.

At the top, a younger self
was patching the roof with sky.

She handed me a nail. We hammered,
each holding what the other forgot.

Josh Walker

poetry
"Instructions for Swallowing Galaxies"

First: remove the bones from your throat,
they’ll only rattle under starlight.

Second: crack the moon like an egg,
let the yolk drip onto your tongue,
learn how constellations taste like regret.

Third: spit meteor dust into the faces of liars.

Fourth: don’t apologize.

Lisa Wiley

100 word story
"Sock Drawer"

I compartmentalize my father’s cancer every day — stuff it into the glove compartment, above the rafters, under the sink, into the pores of my house. All the infusion bags, needles, tubes slithering in the communal space of my mind. Shoving it away, so I can breathe.

But you ask me to contain our joy — offer me your fucking sock drawer where you stow gummies, codeine, and condoms away from your wife, but I need more than the whole chest of drawers. I want the whole house, so I can meet you naked in every slant of mercurial light.

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prose contributors vol 6, i.2

“Every secret of a writer’s soul, every experience of his life, every quality of his mind, is written large in his works.” ~Virginia Woolf

Prose - vol 6, i.2

Includes 21 new and established prose contributors from around the globe. Take a look at our talented contributors.

Richard M. Ankers
"A Confetto of Moths"
Naa Asheley Ashitey
"On the bright side, I closed all three rings..."
Benjamin Branchaud
"In The Manner of Dust"
William Campbell
"Extreme Bootstrapping"
Salvatore Difalco
"The Scorpion"
Danielle Ellis
"He Cried in the Hardware Store"
Felix Eshiet
"Objects in Mirrors are Deadlier Than They Appear "
Jane Hertenstein
"Riding Bikes at Night"
Wyley Fröhlich Jungerman
"Magical Thinking OCD"
Elliot Kang
"Babies"
Kaitlyn McNulty
"Watchdog"
Zach Murphy
"Hair Splinters"
Joshua Myers
"Self-taught"
Ryan T. Pozzi
"I Hope You’re Having a Terrible Day"
Tamara Sellman
"Thieves"
Brandon Shane
"We Arrive at It " (100 word story)
Shoshauna Shy
"Right Turn on Arrow Only"
Dustin Triplett
"The Smell of Smoke"
Jamie Vincent
"Rotting"
Nora Wagner
"I Ran Into Your New Girlfriend at the Grocery Store"
Lisa Wiley
"Sock Drawer" (100 word story)
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poetry contributors vol 6, i.2

“Poetry, I feel, is a tyrannical discipline. You’ve got to go so far so fast in such a small space; you’ve got to burn away all the peripherals.” ~Sylvia Plath

Poetry - vol 6, i.2

Includes 35 new and established poetry contributors from around the world. Take a look at our talented contributors.

Cecelia Allentuck
"Stink"
Alma Ariaz
"Meat Has No Expiration Date"
Jane Attanucci
"Ghost Light"
Kelly Brice Baron
"Mona’s Hands"
Jenny Chu
"Weekend Nights"
Marie Cloutier
"What she thought about all the time"
Janel Comeau
"Cutie With the Red Vest On"
Aarik Danielsen
"Prelude to Living"
Alecia Jay Davis
"The Dry Breath"
Callie Dean
"Targeted Advertising"
Ryan Di Francesco
"Honeycrisp Apple"
Haley DiRenzo
"Longevity"
Sean Thomas Dougherty
"What Is a Tenement Apartment"
Kevin R. Farrell, Jr.
"It’s Giving Too Much Taking pg "

Get Got”
“yellow”

Harrison Fisher
"Every Day, Everyday Deception"
Kris Green
"Autumn Leaves"
Mureall Hebert
"Silhouette in the Shape of Fountain Grasses"
Michael Hill
"Water/Skin"
Jeffrey Holst
"Solid Gold"
Edward Lee
"Last Meal"
Mary McAfoose
"How to Wash Dishes, or: Hold Me"
Ophelia Monet
"Full Circle"
Ryan Morrison
"Red Lemonade"
Gareth Nurden
Haiku
Fabrice Poussin
"Christmas Songs and Suburbans"
Caiti Quatmann
"Welcome to the Exhibit"
Teresa Renton
Three Line Poetry
Tracy Royce
"You Have Never Met Me, Because I Have Dreamt You"
Julie Shulman
"Improbable Victory"
Leah Skay
"Trophy Hunter"
Benjamin Starr
"Philip Marlowe Watches an Infomercial About Buying Gold"
Andre Swanepoel
"Fluent in Silence"
Rowan Tate
"Minor Repairs"
Bug Tourmaline
"blood & carbohydrates"
Joshua Walker
"Instructions for Swallowing Galaxies"
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photographers vol 6, i.2

“In photography there is a reality so subtle that it becomes more real than reality.” ~Alfred Stieglitz

Photography - vol 6, i.2

Includes 11 new and established photographers from around the globe. Take a look at our talented contributors.

Michael Anthony

Blue No 1
Early Snow
First Rays
Tracks
Two Seasons

Brian Michael Barbeito

firmament sun over lake

Roger Camp

Water Music 75

Karen Pierce Gonzalez

Autumn Shadow Work
Mushroom

Heather D Haigh

Shroom

Candace Kubinec

Crow Tree
Left Behind

Vishaal Pathak

Selfie 

Sabyasachi Roy

Untitled

Bridget Schmid

Nostalgia

Joseph Stern

Ancient

Harrison Zeiberg

Shopping Cart

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artists vol 6, i.2

“A true artist is not one who is inspired but one who inspires others.” ~Salvador Dalí

Visual Art - vol 6, i.2

Includes 14 new and established artists from around the globe. Take a look at our talented contributors.

David Boyle

(oil on canvas) – “Strange Isle”

Lorraine Caputo

(pen & ink) – “Night Breezes”

 

Luanne Castle

(mixed media collage) – “Before Tampax Was Invented”
“Distress”

Kevin Farrell, Jr.

(mixed media on watercolor paper) – “Bukowiski”

Anaiah Hervey
(digital art) – “Mother Tresses”
Lee Johnson

(visual poetry) – “Harsh Air”
“Wicked Anticipation”

Michael Noonan

(ink line drawing) – “A Classical Kaleidoscope”

Donald Patten
(charcoal on canvas) – “Mask Gleaners”
Mary Tina Shamli Pillay

(acrylic on canvas) – “Walking on Crisp Leaves”
(watercolor) – “Scottish Highs”

Sai Pradhan
(paint and linen on canvas) – “Unproductive (I)”
Sabyasachi Roy

(oil on canvas mounted on board) – “Abolokiteswar (The One Who Watches)”
“Nosto Atmar Television (Television of A Rotten Sou)l”

Judith Skillman
(oil on canvas) – “Greensea” (oil on board) – “Poppy”
Kim Suttell

(paper collage) – “Nude”
“And here you come with a cup of tea”

Jane Windsheimer

(blackout poetry) – “Still Breathing”

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vol 6, i.2

fall/winter 2025

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