Volume 5, Issue 1

vol 5, i.1

Spring Equinox, Spring/Summer 2024 — vol 5, i.1

Another issue, ahh… If you’re like me, you’ve noticed the world has a different weight (to it) lately. Perhaps imperceptible to some, but not most, if you look closely. Not a physical weight, though a weight in which everything has become heavier. A heavy that I have no name for, only to say I can feel its disturbance. A heavy in the way people breathe, in the way people walk, in the way people avoid conversation and engagement. We’ve become cut off. Disengaged. Detached.

So let’s connect!

This issue features 66 contributors from around the globe sharing stories, photography, art, and expressions of the human condition. Congratulations and a heartfelt thank you to all who have contributed and continue championing this literary adventure. We welcome spring with budding pages ready to burst open with emotion, understanding, and meaning. Let’s stow our heavy jackets for another season and hold a lighter, warmer space for spring.

Love and INK, 

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"Emergence" cover photo by Candace Kubinec

vol 5, i.1

spring/summer 2024

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Featured Contributors (vol 5, i.1)

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Featured Prose Writer vol 5 i.1

Salvatore Difalco

“Flow State”

Life is either ascending or descending. My own life finds itself on a downward spiral, picking up speed, moment to moment, plunging headlong into the black foam of annihilation. “What’s wrong, man?” asks the billowy apparition floating in the middle of my living room. “Where do I start?” I hear myself say. The apparition lacks details, the face smoothed over. I am certain the presence is male, though, in the absence of comprehensive evidence, that conclusion remains provisional at best. I am not bothered by the appearance of these immaterial figures. I’ve told myself repeatedly that so long as I do not attempt to make physical contact with them, I will maintain my equilibrium. “The problem,” I say, “is a pessimism of weakness.” The figure bobs a little as though a playful air current nudges it. “We live in a moving reality,” he says, “so duration is but an illusion. Everything is terminally impermanent.” This isn’t helping. My crisis continues unabated. The status of my soul concerns me most, though I am not religious in the least, and deities have never brought me comfort or guided me to victory. And yet, instinctively, I feel peril for the immaterial part of me, and not just the musical buzz between my neurons, but a deeper part that aches and has ached and cannot find relief. “You’re a romantic,” says the floater. “I feel bad for you. There’s no future in it.” All this fucks with my head. I need to cleanse it of dead and corrupt ideas. But it might be too late for that. I should have taken action long ago. But sometimes, we think we’re riding high and shielded from the arrows of decline. No reason to think otherwise until your flesh is pierced and perforated, and you’re leaking life force all over the place. “Do you have any suggestions?” I ask. “Nah,” he says, “at this stage you’re pretty much screwed.” Many truths stand on the shoulders of falsehoods.
vol 5 i.1 featured writer - Salvatore Difalco

Artist’s Statement

Admittedly, things look bleak out there these days. But I’m still optimistic that creatures who can laugh and love and create as marvelously as we sometimes do will eventually figure it out. Or perish. It may take some time. But we can’t let dickheads lead us anymore. I’d like to think my writing manifests that spirit, or attempts to do so.

Bio

Sicilian Canadian writer Salvatore Difalco lives in Toronto, Canada. His short work has recently appeared in Cafe Irreal, Third Wednesday, and RHINO Poetry.

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Featured Poet vol 5 i.1

Brandon Shane

“Pilot”

The students swim down the halls,
surgical white like emergency rooms,
mourning dead relatives, euthanized animals,
thinking about lunch, where they disconnect
from the world for thirty minutes, healing
necrosis of lectures from solemn teachers
with buried spouses, heart attack fathers. 

I gaze at the chalkboard & smile at their art,
everyone is hurting all the time, with no breaks
between tragedy, there is always a bone pain.
If not my stiffness as a teacher, then my failure
as an artist; reflecting on them as their grades
reflect on me. I cast a spell on my broomstick,
magic elixir, Necronomicon, candlelight room,
notebooks full of hellfire poems. 

The end always comes, but we wish it to be late
for our interview; bartering our way into heaven.
I read their essays like glimpses into their souls,
look over their names as if passengers on a plane,
hoping to land safely on an unknown airport
in an unknown land. I’ll lie in bed and count the stars,
but it’s just a popcorn ceiling.

I’ll die one day, a few of them will leave before me.
Some accidentally call me dad, but it doesn’t seem
like a mistake when it happens every week. I don’t
see their dad at any parent meetings, just their mom.
The seasons change; most will never be seen again.
I’ll watch the flowers & wish they remain perennial.

vol 5 i.1 featured poet Brandon Shane

Artist’s Statement

The reason I love teaching is because I was a horrific student, and every time existence feels mesmerizingly difficult, I remember many of my jubilant kids have it worse. Some writers can explain the elusive how and why, but life’s great mysteries have been so thoroughly sterilized that I never want to know; midnight lanterns, scribbling poems in the dark.

Bio

Brandon Shane is an alum of California State University, Long Beach. Now a writing instructor, you can see his work in the Berlin Literary Review, Acropolis Journal, Grim & Gilded, Messy Misfits, Remington Review, Mister Magazine, and Sophon Lit, among others.

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Featured Artist vol 5 i.1

Amy Marques

“Easing the Spring”

vol 5 i.1 featured art Easing the Spring - Amy Marques
vol 5 i.1 featured artist - Amy Marques, feature Friday

Artist’s Statement

My goal with art (prose, poetry, painting, photography, listening, loving…) is to acknowledge raw, hold space for pain, and find room for hope that envisions better futures and builds – or flies – towards it. I think that’s what the early bees in the “Easing the Spring” poem do: find flowers, creating a pathway others can follow into clearer tomorrows. 

Bio

Amy Marques has been known to call books friends and is on a first name basis with many fictional characters. She has visual art, poetry, and prose published in journals such as Streetcake Magazine, South Florida Poetry Journal, MoonPark Review, Bending Genres, Ghost Parachute, Chicago Quarterly Review, and Gone Lawn. 

Vol 5, i.1 Spring/Summer 2024 (A Sneak Peak)

Selections from the first 30 pages

Heath Brougher

poetry
"My Rippling Face"

I, fattened and wrinkled of eye,
sit upon the banks of the river
staring at my reflection in the water.
I am Siddhartha reborn.
I am awaiting the sound of “Om”
to spark the multiverse inside
my broken-souled cells
and strike sparks while not
striking sparks among
this luminous transcendence.

Jeffrey Ogochukwu

poetry
"We’re Truly Free When We Are Lost"

Let’s pretend to be lost
and see where the wind takes us
it’s a terrible idea I know
cause we might dissolve
in a place of fragile happiness
like a dream in a jar of paint

see I’m smiling because
I’m lost
the only time I remembered to smile
was at your funeral
they constrained you in a box
and laid you to the ground
a naked backward smile
of anger and hopelessness
and shame
who knew you’d look so weak
with your eyes shut

in my half-finished imagination
I ran towards the falling sun
breathing in dust as I went
in hopes that I’ll remain lost

Robert Steward

prose
"Shorebird Song"

“Shorebird,” I reply to my daughter’s question.

Holly stares at the tiny bird as it wades along the shoreline, foraging for insects in the sand. Its sweet trill, a call to the others on the mudflats, beseeching them to come.

“Maybe it’s a sandpiper.” I crouch down beside Holly.

“Oh my,” she says, taking a step toward the insouciant creature. “It’s so cute.”

“Not too close. You don’t want to frighten it.” I place my hand on her shoulder.

The shorebird contemplates us. It looks proud with its white, puffy breast and speckled wings. I wonder what it’s thinking. What it makes of us.

It flutters a couple of feet in the air and lands on Holly’s hand.

“Daddy!” Her eyes smile with delight.

I admire my daughter’s calm reaction. Like it’s the most natural thing in the world. Like she’s found a kindred spirit. The bird flies back down to the ground.

“Wish mummy was here.” Holly hugs me.

She smells of the sea.

“So do I. This was her favourite bay.”

Over her shoulder, the bird twitches its head. It seems to understand. It hops around the beach in a desultory manner before continuing its song.

Zac Walsh

poetry
"Afterbirth "

History is an impatient womb
growing certainties too soon.
Bare ballast before bones
from single cell to omnipotence,
life giving life to feed on lives,
geneses writ as lovely script
in a constitutional tone,
flourishing loops, aesthetic romp,
grandest pomp empty of consequence.
So is this why some scoff at those
who do not float away
with so much nothing keeping it all
dutifully down to dirt?
Or might some wonder if
it could in some universe be
the pinball wizards, the tinfoil seers, the junklot lizards
who upend time, hearing that infinite harping
coming off the point of each pin
who feel everywhere the unmeasured moving,
their lives a song of afterbirth,
a success of horrid whim.

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prose contributors vol 5 i.1

“Every secret of a writer’s soul, every experience of his life, every quality of his mind, is written large in his works.” ~Virginia Woolf

Prose - vol 5, i.1

Includes 15 new and established prose contributors from around the world. Take a look at the talented writers in this issue. 

Coleman Bigelow
"Tall Barn"
William Cass
"Father's Day"
Cor de Wulf
"A Small Wooden Box, Lined in Velvet"
Salvatore Difalco
"FLow State"
Mary Horner
"Lydia"
G. Tarsiscis Janetka
"A Consultation"
Firdaus Parvez
"Finders Keepers"
Keith J. Powell
"Sweet Nothings Are a Diary..."
James Reed
"Plans"
Elodie A. Roy
"Towers and Valleys"
JoAnna Scandiffio
"Fractions"
Robert Steward
"Shorebird Song"
Meg Tuite
"Can You Wrap Up This Gift?"
Sage Tyrtle
"Church of the Righteous Lamb of God"
Wolfgang Wright
"Single, Alone, Depressed"
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poetry contributors vol 5 i.1

“Poetry, I feel, is a tyrannical discipline. You’ve got to go so far so fast in such a small space; you’ve got to burn away all the peripherals.” ~Sylvia Plath

Poetry - vol 5, i.1

Includes 39 new and established poetry contributors from around the world. Take a look at the talented writers in this issue.

J.T. Atwin
"Creation"
Anne Bannon
"Evolution"
Heath Brougher
"Fake Human Trees"

“My Rippling Face”
“Crash and Burn”

C.W. Bryan
"Driftwood"
P H Coleman
2 Haiku

Tanka 65

Galen Cunningham
"Romancing"
Jon Davis
"A Marriage"

“Windchimes”

John Delaney
"Reading with the Cat"
Steve Denehan
"The Pebble"
Ojo Olumide Emmanuel
"Shattered"
Ben Goodman
"Made of Life"
William Ogden Haynes
"Getting Lucky"
Thomas Holton
"Room with Friends"

“Light Sleeper”
“My Limerence — to look at later”

Mary Horner
"Summer’s End"
Jen Horsfall
"Triumphs" (A found poem)
CJ House
"serpent's repentance."
Michael Kfoury
"Binge Drinking (Shipper’s Delight)"
Sam Kilkenny
"How to be Happy (to remind myself)"
John Kojak
"Falling Down"
Emily Lyon
"Great Barrier Reef"
Amy Marques
"Long Story Short"
Norman Wm. Muise
3 Haiku
Jeffrey Ogochukwu
"We’re Truly Free When We Are Lost"
Temidayo Okun
"somewhere, somewhere"
John RC Potter
"Enigma"
Firdaus Parvez
2 Three Line Poems
A.J. Parker
"duck"
Antonio Perez
"Bridging Hearts"
Lee Potts
"Key Jar"
Diana Raab
"The Trigger"

“Windows”

William Ryan
"The Casual Death of Someone You Kind of Knew"
Brandon Shane
"Pilot"

“The Moirologist”

James Siegel
"Ghosts Again"
Marjorie Thomsen
"Road Trip Postcards"
Zac Walsh
"Afterbirth"
Olivia Wanat
"our morning oj"

“what a timely death”

Frank Weber
"Suppressed By Silence"
Scott Wylie
"Natural Remedies"
James Wyman
"Without An Echo"
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photographers vol 5 i.1

“In photography there is a reality so subtle that it becomes more real than reality.” ~Alfred Stieglitz

Photography - vol 5, i.1

Includes 11 new and established photographers from around the world. Take a look at the talented photographers in this issue. 

Michael Anthony

Barn 05
Chasing The Sun
Marine Denizen
Moonrise
Orchid No25

Martin Brechtl

yellow flower on brown stick

Susana Case

Fish Tongue

Clarissa Cervantes

Equinox
Friends

Andrea Damic

Broken Whispers
Let There Be Light
Once Upon Nautilus

John Delaney

Reading (ekphrastic photograph)

Ellen Harrold

Remnant

Candace Kubinec

Cosmos
Drip Drop
Emergence (cover art)
In a Field of Flowers
Life Saver
Morning Shadows

Amy Marques

Almost Home
Bicycle Shadow

Mirja Paljakka

Arctic Starflower
Drops on Flower

Soulhearts

3 photos untitled

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artists vol 5 i.1

“A true artist is not one who is inspired but one who inspires others.” ~Salvador Dalí

Visual Art - vol 5, i.1

Includes 7 new and established artists from around the world. Take a look at the talented artist in this issue. 

Afra Ahmad

(visual art) – “The Missing Element”

Kevin R. Farrell, Jr.

(mixed media) – “Love Bug”

Ellen Harrold

(hybrid art) – “Imprint”

Amy Marques

(mixed media) – “Resilience” and “Soap Face”

(mixed media) – Mimics the Moon Series: “The words for the poems in this collection were sourced from my personal correspondence. The handwritten words are from old letters, and the typed words are torn from loose pages of an old poetry book sent by a friend. Most of the words are from the book Immortal Poems of the English Language, 1983 edition, pages around 610-20.”

“Borrowed Remains”
“Easing the Spring”
“Easing the Spring Again”
“Possible Miracles”
“Voices of Verbs”

(mixed media) – from PARTS: (full erasure book to be published by Full Mood Publishing later in 2024): This collection of erasure poems transformed an old copy of a Thomas Wolfe novel (THE PARTY AT JACK’S becomes PARTS)into a book of erasure poetry and visual art. While each page is stand-alone, they are thematically thread together. The work is done directly on the book and includes collage and painting, mostly with acrylics. The overarching goal is to find or create rays of hope and beauty, particularly by subverting the text where it describes ennui or angst.

“Little Words”
“Musically Danced”

Irina Tall Novikova

(mixed media) – “Dragon”
“Forgotten Dreams”
“Sirin”

Sally Simon

(photo collage) – “Love Birds”

Goran Tomic

(collage) – from the Series “Neither/Nor” 2 selections

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vol 5, i.1

spring/summer 2024

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