Volume 7, Issue 1

vol 7, i.1

10th Anniversary Issue, Spring/Summer 2026 - vol 7, i.1

Welcome to our 10th Anniversary Issue as we celebrate art and artists, poets and writers, and a tiny thing called hope. This issue features 83 incredible individuals from around the world. You, our readers and contributors alike, are the flowers in our spring garden of INK. You, each of you, help us to keep going, personally and professionally, and we wouldn’t be here today without your generous contributions and support. Our goal with the 10th Anniversary Issue is to inspire contemplation and hope within each of you.

Love and INK,

grace black signature

view a sample

select the cover
“Teal Sovereign” cover photo by Zahra Zoghi

vol 7, i.1

spring/summer 2026

Ink In Thirds Magazine font image

Featured Contributors (vol 7, i.1)

Ink In Thirds logo horizontal image

Featured Prose Writer vol 7, i.1

Dylan Night

“Socks and Shoes”

I was wearing her dead father’s socks. They felt elastically foreign on my feet. Like they were not my feet, but his.

I wasn’t sure if they would fit in my shoes.

I wished I hadn’t accepted them from her mother. I know she was only doing what she thought was right. What she needed to do to put his death behind her. To find a semblance of control in practicality. She wanted to feel useful. Though I can’t stop myself from thinking of how undeserving I am.

And that I don’t want the pressure of following in his steps.

vol 6 i.1 featured writer -Dylan Night

Artist’s Statement

I am an artist, and foremost a human. My purpose is my calling, to create an existence where individuals can share and grow together. A safe harbor sheltered from the storm to strive in a united cause. Through our ideas and works, in search of truth. The message is love. The goal is peace. The time to spur is now. 

Bio

Dylan Night is a former medical professional and published author, most recently through Able Muse, Wingless Dreamer, In Parentheses, Lilomul, Neon Origami, South Platte River Review, and Querencia. He resides in San Diego, California, with his partner and stepchild. He is currently workshopping his most recent novel.

Ink In Thirds logo horizontal image

Featured Poet vol 7, i.1

Michael Mintrom

“Picasso Museum”

The apartment is a small arrangement.
Even when you’re elsewhere
these tight, high rooms are alive

and mysterious. At a blue table
I drink coffee surrounded by warm light.
Twelve photos hang on the wall

siblings, disciples, old friends,
They have almond eyes, angular mouths
and death is there, the shadow at the neck.

They look serene. Lost in mythologies,
I move to the olive room and glimpse
two lovers. I think of your touch.

And now you appear – a black coat, a face –
from stairs climbed in darkness
cursing the landlord we never see.

vol 7 i.1 featured poet- Michael Mintrom

Artist’s Statement

My poems explore place, memory, and what remains. Moving between landscapes, artworks, and everyday encounters, they attend to how history lingers and shifts, both at the personal level and the collective level. I’m intrigued by the ways attention and naming reframe experiences — our ability to make lasting things from fleeting, seemingly ordinary moments.

Bio

Michael Mintrom is a poet based in Melbourne, Australia. His poems have recently appeared in a range of journals, including Ekphrastic Review, Meniscus, Spare Parts Literary, Twin Flames Literary, and The Prose Poem.

Ink In Thirds logo horizontal image

Featured Artist vol 7, i.1

Helen Hejl

untitled

original acrylic painting on greytone and watercolor paper

Featured Art vol. 7, i.1
vol 7 i.1 featured artist Helen Hejl

Artist’s Statement

Observational drawing is a chance to look both inwards and outwards simultaneously. Anything I draw has gone through my decision making process, and therefore carries a part of me as it is laid down on paper. This work is a piece of me. Every choice within it holds a history.

Bio

Helen Hejl is an artist working in San Diego and open to collaborations worldwide.

Vol 7, i.1 Spring/Summer 2026 (A Sneak Peek)

Selections from the first 30 pages

Abraham Aondoana

poetry
"What the River Took First"

The river did not take my body. 
It took my name.

Now when people call me,
the water answers first—
a low sound,
like a throat clearing
before a confession.

I walk home soaked in absence.
My shadow arrives before me,
dripping.

At night the river exercises my voice.
until it begins to sound like forgiveness. 

Angel T. Dionne

prose
"Archive "

I wake up and eat the utensil drawer. I’m not entirely certain why. Maybe the soup spoons still taste like my mother’s chicken stew. My tongue rolls over the knives, and I taste the ghosts of buttered crackers, the shadows of failed recipes, pudding cups, and cream stirred into instant coffee. I find a frayed remnant of my wife lodged between fork tines. I swallow her down, too. Next, I turn the saltshaker into a lozenge, tuck it away between my cheek and gums, and suck. Let the salty saliva drip down my throat. I taste the ocean brine, and my tonsils become tangled kelp. A hammerhead shark swims up into my sinus cavity and builds itself a home. I blow it into a tissue and save it for tomorrow. I gut the kitchen like a river trout, teeth to belly. Its memories become my blood. My mouth, an archive.

Selasi McLord

poetry
"Unfinished House "

Every night the walls move
half an inch closer to the bed.
I wake up chewing plaster,
dreaming of staircases
that climb into someone else’s sleep.
My hands smell of wet lumber.
My mouth, of wallpaper paste.
The blueprints keep changing—
last week you were a window,
tonight you’re a locked door. 

Mandy Prell

poetry
"Portrait of an American Mother"

I serve my brain on a
platter atop my skull, spread
fog-thin, to cover domestic
demands. I walk naked, tender
curtains between my legs open
for Congress to blame,
exploit. A daughter hangs off
each nipple; my forearms bear
their weight.
I cry as cushiony
discs between vertebrae
collapse and ooze. This is
not a poem. There is no
relief on this side of the pen.

Peter J. Stavros

prose
"8:30 AM "

We carry our lunches in plastic grocery bags, Tupperware containers, insulated totes. We move in silence, impassive, vacant stares, arms full, shoulders slumped, merging from parking lots, bus stops, subway stations, onto sidewalks and plazas. We type in security codes, swipe key cards, flash badges, disappear into awaiting buildings, up stairs or elevators, down corridors buzzing from tubular fluorescent bulbs. We enter offices, cubicles, conference rooms, flip on lights, log onto computers. We sit. We check calendars, scroll through emails, retrieve messages. We settle for another day, another chunk of our lives, wondering how it would feel to be free.

Dana Wall

prose
"Milk Teeth"

The jar sits on my dresser.

Has for thirty-seven years. Small, glass, the kind that held baby food once. Pureed carrots or peas. Something orange, I think. I washed it out and kept it, the way mothers keep things.

Inside: her teeth.

The first one fell out at the kitchen table. She was eating an apple. Looked down at the blood on the fruit and didn’t cry, just said, “Oh.” Like it was happening to someone else. Like she was already learning to leave herself.

I was the one who cried. Quietly, in the bathroom, where she couldn’t hear. My baby was losing pieces of herself. I collected them.

Twenty teeth. That’s how many children have. I counted once, years ago, when she was maybe twelve and still let me brush her hair. Twenty teeth in a small glass jar. A complete set.

She’s dead now. Thirty-seven years old. Car accident. Wrong place, wrong time, wrong everything.

The funeral was last week. I haven’t cried yet. I keep waiting for it to come, the way I waited for her teeth to fall out, one by one, on their own schedule.

Today I take down the jar.

I pour the teeth into my palm. They’re so small. I forget, every time, how small. They look like something you’d find on a beach. Little shells. Little bones.

I count them.

I count them again.

Twenty-one.

There should be twenty. There are twenty-one.

I spread them on the dresser. Incisors, canines, molars. I try to remember which tooth came from where, when each one fell, what she was eating, what she said.

I can’t account for the extra tooth.

I pick it up. It’s smaller than the others. Sharper. Almost translucent, like it never fully formed.
I don’t remember this tooth.

I call my sister. “How many baby teeth do children lose?”
“Twenty. Why?”
“You’re sure?”
“I’m sure.”
I hang up.

I look at the tooth in my palm. At the way it catches the light. At the small dark spot near the root that might be blood or might be something else.

I should throw it away. It isn’t hers. It can’t be hers. It came from somewhere else — fell into the jar somehow, a mistake, a contamination.

But I can’t.

Because what if it is hers? What if there was a part of my daughter I didn’t know about? A piece she grew in secret, lost in secret, that somehow found its way home?

What if she’s still leaving parts of herself behind?

I put the tooth in my mouth.

I don’t know why.

It sits on my tongue like a communion wafer. Like a seed.

I swallow.

And for one moment — one impossible moment — I feel her. Inside me. The way she was before she was born.

Then it’s gone.

I look at the twenty teeth remaining on my dresser. I put them back in the jar. I put the jar back on the dresser.

Tomorrow I will call the funeral home. I will pick up her ashes.

She told me where she wanted them. I laughed when she said it. She didn’t.
“I want to be mixed into bread dough,” she said. “Baked. Eaten.”

I told her that was insane.

“I want to become part of the people I love,” she said. “I want to be inside them the way they’re inside me.”

I told her I couldn’t do that. I told her it was morbid. Wrong.

She looked at me the way she always looked at me when I refused to understand her.
“You kept my teeth in a jar for thirty-seven years, Mom. You don’t get to call me insane.”
I didn’t have an answer for that. I still don’t.

Tomorrow I will pick up her ashes. I will buy flour. I will buy yeast.

But tonight, I sit with the jar.
Twenty teeth. A complete set.
And somewhere inside me, the twenty-first.
The first piece of her I’ve let myself keep.

Ink In Thirds Magazine font image

prose contributors vol 7, i.1

“Every secret of a writer’s soul, every experience of his life, every quality of his mind, is written large in his works.” ~Virginia Woolf

Prose - vol 7, i.1

Includes 21 new and established prose contributors from around the globe. Take a look at our talented contributors.

Rick Byrne
"Object in the Mirror"
Xi Chen
"Clean"
Salvatore Difalco
"Epithalamium"
Angel T. Dionne
"Archive"
Malina Douglas
"Things I Would Tell You"
Kelly Esparza
"Push and Pull"
Jonathan Feldman
"Evenings Afterwards"
Michael Fowler
"Twenty-five or so Things…"
Zac Goldstein
"The Iron Bridge"
Will Gordon
"Ghosts That May Make Phoebe Bridgers Proud"
Diana Gustafson
"The Bonfire of Addiction"
Nora Nadjarian
"Traffic Lights Turn Green Amber Red Forever"
Dylan Night
"Socks and Shoes"
Erin Oliver
"Bany Killer"
Julia Rajagopalan
"The Known Harms of Microplastics"
M.C. Schmidt
"Flag Burner"
Mario Senzale
"Bait"
Iryna Somkina
"Intro/Outro"
Peter J. Stavros
"8:30 AM"
Liz Turton
"Skip to the End"
Dana Wall
"Milk Teeth"
Ink In Thirds Magazine font image

poetry contributors vol 7, i.1

“Poetry, I feel, is a tyrannical discipline. You’ve got to go so far so fast in such a small space; you’ve got to burn away all the peripherals.” ~Sylvia Plath

Poetry - vol 7, i.1

Includes 38 new and established poetry contributors from around the world. Take a look at our talented contributors.

Michael Afolabi
"After the Plates Cool"
Abraham Aondoana
"What the River Took First"
Marc Audet
"A Musing Irish Rain"
Izzy Nameth Beck
"Drive South"
Robert Carr
"Mother of Boats"
Amanda Chan
"soft"

 “submit”

Danielle Coffyn
"Inside the House"

“yolk”

Sarah Ellis
"To My Sister, Speaking Frankly"
Luisa Ensslin
"Realization"
Ben Fowlkes
"A Note About Your Blood"
Shannon Frost Greenstein
"When Your Husband’s Cancer Isn’t Bad Enough Yet"
Manny Grimaldi
"Sentaku Saikuru"
Chad Herman
"Stick Men"
Stephen Jackson
"Dahlias"
Wen Jing
"Threshold"
Daisy Kulina
"Cabin Death"

“What happens when you swallow an olive pit”

Paulette Laufer
"Unlocking"
Selasi McLord
"Unfinished House"
Michael Mintrom
"Picasso Museum"
Avaya Monet
"The Bug Collector"
Amelia Napiorkowski
"Faults"
Britni Newton
"Vera Bradley Bag Collection I Started in a Depression"

“First Wife & Second Mother”

“Snakes are a Cliché Metaphor, but I’m Only Human”

Victoria Nordlund
"Heliotropism"
Ananya Palha
"The Hours We Don’t Count"
Lisa Kathryn Perry
"How to Drink an Italian Greyhound"
Mandy Prell
"Portrait of an American Mother"
Ian Radford
"Haiku No.6"
Elizabeth Reames
"the fallow year"
Robert Seiwert
"The Help"
“Routine Use”
Brandon Shane
"Rising Sun"
Laura Tate
"The Worries Are Gone"
Vriddhi Vinay
"Tonight I Take Grief Home from The Bar"
Chris Vola
"Noggin"
Ann Weil
"/ ˈæb səns /"
Taro Williams
"Paperback"
Ronald Zack
"Leftovers"
Elena Zhang
"Climate Disaster"
“Echolocation”
Jenna Ziegler
"Eleven Reasons Why I Suck at Gardening"
Ink In Thirds Magazine font image

photographers vol 7, i.1

“In photography there is a reality so subtle that it becomes more real than reality.” ~Alfred Stieglitz

Photography - vol 7, i.1

Includes 12 new and established photographers from around the globe. Take a look at our talented contributors.

Michael Anthony

Bloom
Floral Pastels

Micheal Brown

abandonment

Jaina Cipriano

untitled
untitled 

Keith A. Dodson

Carolina Chickadee Contemplates Retirement
Pots & Pans
Tire Tread
White-throated Sparrow Looks Toward Spring

Samuel Goldsmith

Inner Space
World of Moss 3

Katie Hughbanks
Diamond and Ruby
Kip Knott
Break Out
Blake Lavia

Feather

Kumar Mahat
untitled
Axel Obersat-Johnson
untitled
Mirja Paljakka

Romance In The Air
Under Blue Sky
What the Flame Refused to Tell Us

Gail Purdy

Confusion
Illusions
Mirror Mirror

Ink In Thirds Magazine font image

artists vol 7, i.1

“A true artist is not one who is inspired but one who inspires others.” ~Salvador Dalí

Visual Art - vol 7, i.1

Includes 12 new and established artists from around the globe. Take a look at our talented contributors.

Judith Brandon

(ink, charcoal, pastel, and colored pencil on incised cotton paper) –
“Volcano Choo Choo”
“Take It All”

Milo Brown

(acrylic on multimedia paper) – “Capture the Moment”

Patricia Caspers

(watercolor/ink/erasures) – “Portrait of Late-Discovery…”

Andrew Doll

(erasure poetry and collage) –
“Dream”
“You Want Nothing”

Karen Pierce Gonzalez

(mixed media collage) – “Imagine”

Jennifer Gurney

(acrylic abstracts) – “#2”

Helen Hejl

(acrylic) – untitled

Giulio Maffii

(digital collage) –
“Dudo Old Yellow”
“Dudo Electric”

Lwazi Phakathi

(paint and sketch) – “Amahle”

Alec Solomita

(mixed media: drawing pencils, watercolor, and digital) – “Face”

Scott Tierney

(mixed media: sketch, various paints) – “Mystery Man”
“Nana”
“Who’s a Good Boy?”

Zahra Zoghi

(acrylic on canvas) Flight Maps of the Unconscious (Collection):
“Teal Sovereign”
“Three Beaks of Memory”
“Pulse of the Sky”

Leave a comment or kudo to the author(s) and let them know what moved you!  #feels #mood

Leave a Reply

Your email address will not be published. Required fields are marked *

Share this page, tag us @inkinthirds
Ink In Thirds Magazine font image

get the issue

view a sample

select the cover

vol 7, i.1

spring/summer 2026

Scroll to Top